Choreography

Member of :


American Guild Of Musical Artists	Actors Equity Association: EMC

Concert Works and Ballets

UNIVERSITY OF ARKANSAS AT LITTLE ROCK:
Untitled, This work has yet to be presented in live performance due to the COVID—19 pandemic; a contemporary/fusion solo for female en pointe that explores the relationship between the dancer and the physically flexible environment created between her and the two vertically-uneven inclined ballet barres; dance meets monkey bars with an influence of cirque arts, 2020
Origins, solo embodying the relationship between the performer and the stage as a sentient environment, 2019
Paradigm, duet exploring the inequality and ambiguity of privilege, 2018
[In]Finite Plane, solo journey that bounds among three different dimensions via quantum, 2018
A Time for Space, neo-classical sextet, 2017
Broadway Rhythms, ensemble revue surveying three musicals with featured vocalists & ensemble, various staging styles, and scene work, 2017
Gray, sextet exploring the idea of innocence and curiosity in discovering differences, 2016
The Second Wave, large ensemble with featured solo figure; presents an image of the 1960s & 1970s era of the women's rights movement, 2016
Believing, duet; explores the idea of deep and intimate connection through the ongoing conversation that can happen in a moment or across a lifetime, 2015
Chicago-A Revue, synoptic revue based on the musical
with featured characters and ensemble; ten numbers
with live vocals and scene work, 2013
Rigadaun Nouveau, (revised) Contemporary ballet, 2012
That Saturday Night At 54, Scenario-based disco piece for large ensemble with featured duet and solo, 2012

ROXEY BALLET:
Frankenstein - A 2016 reconception and fully new adaptation of Mary Shelley's story of the Prometheus, in which scientific research is merging humans with intelligent machinery; Original interpretation set on the Fort Wayne Ballet (Indiana) in 2002 and revised in 2003; Co-Directed/Choreographed with Lees Hummel; Original electronic musical score by Michael Kallstrom

ILLINOIS CENTRAL COLLEGE:
From the Lake, contemporary work for ensemble, based upon the O'Keeffe painting, 2010
Secrets to Share, contemporary work for ensemble with featured solos, duet, and trio, 2009

WAYNE STATE UNIVERSITY:
Dance Africa Detroit, Touring lecture-demonstration, 2006-2007
Pas Classique, (revised) Neo-classical ballet, 2006
That's Tap!, Touring lecture-demonstration, 2005-2006
Entrée, Contemporary ballet, 2005
That Indian Summer, Scenario-based 1930s-style jazz work for small group with featured duet, 2005
Urban Method, Aggressive contemporary solo, 2005
Rigadaun Nouveau, Contemporary ballet, 2004
Believing, (revised) Contemporary duet, 2004
Near Eternity, Male contemporary solo, 2004
An Affair of the Heart, Theatrical ballroom duet, 2004

SOUTHEAST MISSOURI STATE:
Rigadaun Nouveau, (revised) Contemporary ballet, 2006

WESTERN KENTUCKY UNIVERSITY:
Pas Classique, Neo-classical ballet, 2004
Moments of Broadway, Musical theatre tap medley with live vocals, 2004
Arguably Arbitrary, Potentially Profound, yet Usually Universal, group futuristic jazz/modern, 2004
Quietly, sequence contemporary of pieces for duet, quartette, and large group, 2003
Moments from Kiss of the Spider Woman, Scenario-based musical theatre with live vocals, 2003
Saturday Night, Scenario-based musical theatre for large group, 2003
At the Copa, Scenario-based theatrical dance work set to Sinatra standards for large group, 2002
Comments on Wood, Metal and Rhythm, Tap and other performer-produced rhythms for large group, 2002
The Poetry of Life, Contemporary work using love-story metaphor to classic rock for group, 2002

THE FORT WAYNE BALLET:
2002 Premiere of Frankenstein (Shelley), 2003 Encore Performance Co-Directed/Choreographed with Lees Hummel; Original electronic musical score by Michael Kallstrom

BOWLING GREEN – WKU SYMPHONY ORCHESTRA with the WESTERN KENTUCKY UNIVERSITY DANCE COMPANY:
2001 Premiere of The Masque of the Red Death (Poe) Co-Directed/Co-Choreographed with Lees Hummel; Original score by Sylvia Kersenbaum

TOWSON UNIVERSITY:
Towson University Dance Company Millennium Dance Concert, 2000 Artistic Director
Towson University Children's Dance Division, 1999 Spring Concert and Summer Intensive Concert:
1970s jazz/disco for large cast (90 performers) and contemporary ballet group works

INERTIA DANCE COMPANY Carver Center for Arts and Technology; Baltimore Magnet School:
Feminist Movement, 1999, women's rights metaphor, modern movement, classic rock for group

THE HIGH POINT BALLET, High Point, NC, various jazz/contemporary/tap/theatrical works within these concerts:
The Road to Fame, 2011
Jazz, 2005
Cirque Mythodyssey, 2004
On Broadway, 2003
In Concert, 2001
Causing a Commotion: An International Incident, 1998
A Broadway Spectacular, 1997
Moments To Remember, 1996

MOORE ONSTAGE/TAYLOR DANCE/SANDHILLS DANCE THEATRE, Southern Pines, NC, various jazz/contemporary/theatrical/tap works within these concerts:
The Road to Fame, 2011
Flashback, 2003
On Broadway, 2002
Tributes, 2001

THE GOVERNOR'S SCHOOL OF NORTH CAROLINA - EAST, various dance works & performance art within these concerts and larger multi-disciplinary evening length pieces:
Elevator Music, 1998
Me – The Circus, 1998
The Image Factory, 1997
An Evening of Contemporary Dance, 1997
An Opening Night, 1996
Journey, 1996

UNIVERSITY OF NORTH CAROLINA GREENSBORO:
Seeing Voices – A Dance Concert for Both a Deaf and Hearing Audience, M.F.A. Thesis, 1998
An evening of cultural and theatrical fusion that explores both sides of sound through dance

NORTH CAROLINA JUNIOR MISS:
Full cast production numbers, 1997 and 1998

GOLDEN RAINBOW Annual Stage Spectacular, Las Vegas:
Benefit produced by Las Vegas Performers/Choreographers; funds raised to support HIV/Aids victims: biographical dance works based upon the lives of Charlie Chaplin, 1993 and Billy Holiday, 1994

OPUS DANCE ENSEMBLE, Las Vegas:
MoodSwing! Scenario-based, 1940s-style big-band, period/theatrical for group, 1994

CHOREOGRAPHER'S SHOWCASE, Las Vegas:
Quilted Silence, Contemporary duet based upon the symbolic impact of the Aids Quilt, 1993

Musical Theatre and Play Production: Direction and/or Choreography

My Fair Lady, The Winter’s Tale, and Much Ado About Nothing, Arkansas Shakespeare Theatre, Summer 2018
Choreography

The All Night Strut!, University of Arkansas at Little Rock, Fall 2017
Direction and Choreography

The Flick, University of Arkansas at Little Rock, Spring 2017
Choreography

Home for the Holidays– Arkansas Symphony Orchestra, Winter 2016
Choreography

Machinal, University of Arkansas at Little Rock, Spring 2016
Choreography

Saints and Sinners: 40th Anniversary, Arkansas Repertory Theatre, Winter 2016
Choreography

Once On This Island, Arkansas Repertory Theatre, Summer 2015
Choreography

Élan—A New Musical, Arkansas Repertory Theatre, Spring 2015
Choreography

Saints and Sinners: Burlesque, Arkansas Repertory Theatre, Winter 2015
Choreography

Little Shop of Horrors, University of Arkansas at Little Rock, Fall 2014
Choreography

Godspell, Arkansas Repertory Theatre, Summer 2014
Choreography

Auction Bidders, University of Arkansas at Little Rock - College of Arts, Humanities, and Social Sciences annual gala, Finale, Spring 2014
Choreography

Saints and Sinners: 30 Years of Saints and Sinners, Arkansas Repertory Theatre, Winter 2014
Choreography

Holiday Fantasy - Nutcracker Parody, Arkansas Symphony Orchestra, Winter 2013
Choreography

Project Élan, Arkansas Repertory Theatre, Summer 2013
Choreography

Chicago—A Revue, UA at Little Rock - College of Arts, Humanities, and Social Sciences annual gala, Finale, Spring 2013
Direction and Choreography

Saints and Sinners: Hollywood, Arkansas Repertory Theatre, Winter 2013
Choreography

Singin' on a Star, Arkansas Repertory Theatre, Summer and Fall 2012
Choreography

Saints and Sinners: Crazy For You, Arkansas Repertory Theatre, Winter 2012
Choreography

That 80s Show, Arkansas Repertory Theatre, Summer and Fall 2011
Choreography

Seussical, Pinecrest High School, Spring 2011
Choreography

Evita, Moore OnStage, Winter 2011
Choreography

Little Shop of Horrors, Bradley University, Fall 2010
Choreography

Johnny Appleseed, Johnny Appleseed Heritage Center, Summer 2004
Choreography

Sweeney Todd, Western Kentucky University, Spring 2004
Choreography

A Chorus Line, Western Kentucky University, Fall 2002
Direction and Choreography

Chicago, Western Kentucky University, Spring 2002
Choreography

The Pajama Game, Towson University, Fall 1999
Choreography

Rags – Children of the Wind, Maryland Arts Festival, Summer 1999
Choreography

Hello Dolly, Grease, Bajour, Kiss of the Spider Woman, Saturday Night Fever and Chaplin:
Various revues based upon these musicals/sources; contained within the aforementioned concerts

MAGICAT PRODUCTIONS on-board Carnival Cruise Lines MS Celebration,
Production revue choreography, 1990

In addition to master classes and choreography in ballet, Cunningham-based modern, and musical theatre styles,  
Vernacular Jazz Graphic
Contact him to inquire.